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Episode 288: And the Category Is … Ricky Tucker!

Sponsor love: West Virginia Wesleyan College’s MFA in Creative Writing

Ricky Tucker (@Rick_Tuck_Lit) is a writer, teacher, and voguer. That last one is significant because he’s the author of And the Category Is … : Inside New York’s Vogue, House, and Ballroom Community (Beacon Press).

In it, Ricky takes us into the subculture of ballroom and refuge and freedom it provided the LGBTQ+ community. In this conversation we talk about the fine line between appreciation and appropriation, house mothers and fathers, finding family, writing as service, and how Ricky found his way to being a writer.

Episode 287: Boomerang with Achy Obejas

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Sponsor love: West Virginia Wesleyan College’s MFA in Creative Writing

By Brendan O’Meara

Achy Obejas is a Cuban American writer, translator, and activist whose work focuses on personal and national identity.

She’s here to talk about her book of poetry Boomerang/Bumeran (Beacon Press), which is English and Spanish.

Achy also is the author of the novel Days of Awe and the story collection The Tower of the Antilles.

In this conversation, we talk about:

Episode 286: Jen Winston on Essay Collection as Memoir

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Sponsor love: West Virginia Wesleyan College’s MFA in Creative Writing

By Brendan O’Meara

This was a treat, getting to speak with Jen Winston, the debut author behind Greedy: Notes from a Bisexual Who Wants Too Much (Atria).

In this episode we talk about:

Episode 285: Tony Perrottet and ‘The Butcher of Havana’

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By Brendan O’Meara

Tony Perrottet is a journalist, historian, and author of six books.

His latest piece is “The Butcher of Havana,” this for The Atavist Magazine.

We talk about the central figure, Herman Marks, an American who became the chief executioner for the Cuban revolutionaries. It’s an incredibly gripping read.

Episode 284: Kim H. Cross on Scenes, Structure, and The Stahl House

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By Brendan O’Meara

Kim H. Cross is a freelance journalist, author, teacher, and mountain bike coach. Her latest book is The Stahl House: Case Study House #22: The Making of a Modernist Icon (Chronicle Chroma).

It’s the biography of a house and, in Kim’s words, the story of a blue-collar couple with white-collar dreams.

Kim also is the author of the best-selling What Stands in a Storm, and her work has appeared in The Year’s Best Sports Writing 2021, and myriad other places. Her piece for Bicycle Magazine about Leon + Noel (notice the palindrome, that’s significant. For analysis by Eva Holland of go here and for analysis of her 900-story for the New York Times by Chip Scanlan (a dream come true), go here.)

[SIDEBAR: In the introduction to the podcast I said that Chip analyzed her Bicycle Magazine piece. My bad.]

Episode 283: Freelancing, Abundant Mindsets, and Writing from a Place of Anger with Jen A. Miller

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By Brendan O’Meara

Jen A. Miller makes her return to the podcast after nearly five years. She said it best, “I feel old…and tired.”

She has a new ebook out called Where to Find New Freelance Writing Clients and Turbocharge Your Career: A Road Map to Freelance Writing Success. It’s $10 and it just might alter the course of your life. I don’t say that lightly. She also wrote How I Made $135,000 in One Year of Freelancing. It’s not gloating. She tells you how.

Jen also is the author of the memoir Running: A Love Story.

In this episode, we talk about:

Episode 282: Jeannine Ouellette on Wanting to be Devastated, Self-Scrutiny, and Her Memoir ‘The Part That Burns’

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By Brendan O’Meara

Jeannine Ouellette (@_elephantrock) is the author of the memoir The Part That Burns, a devastating book about childhood, sexual abuse, motherhood, and so much more. It’s published by Split/Lip Press.

It was a book I couldn’t wait to get back to because I needed to know how Jeannine managed to — I don’t know — survive. She broke my heart a number of times, but not in a self-pitying way.

In any case, she’s here for Ep. 281, this after we met at Hippocamp in August.

Here’s a little blurb from Jeannine’s website:

Episode 281: Susan Orlean Tackles Ledes, Generating Story Ideas, and ‘On Animals’

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By Brendan O’Meara

Susan Orlean makes her third trip back to the podcast (Ep. 61 and 121), this time to celebrate her latest book, a collection of her magazine work on animals titled … On Animals.

She’s the best selling author The Library Book, Rin Tin Tin, and The Orchid Thief. She’s been a staff writer for The New Yorker since 1990s and, as many of you know, seeing a Susan Orlean byline is something like appointment reading. It’s special.

In this episode, we talk about:

Episode 280: Laura Todd Carns and ‘Searching for Mr. X,’ an Atavist Original

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By Brendan O’Meara

Laura Todd Carns is here to talk about her latest feature for The Atavist Magazine. It’s called “Searching for Mr. X: For eight years, a man without a memory lived among strangers at a hospital in Mississippi. But was recovering his identity the happy ending he was looking for?”

Laura is a novelist, essayist, and journalist whose work has appeared in many places. You can find out more at her website.

She’s @LauraToddCarns on Twitter.

In this episode we talk about approaching a story as fiction vs. nonfiction, the challenge of the structure of the piece, collaborating with an editor and how it’s like a record producer and a musician, and more.

First I talk to Seyward Darby, as she was the lead editor of the piece. Enjoy!

Episode 279: Athena Dixon on Opening Doors, Day Jobs, and the Personal Essay

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Sponsor love: West Virginia m Wesleyan College’s MFA in Creative Writing and The Facing Project’s Empathy Prize for Nonfiction

By Brendan O’Meara

What a treat!

It’s Athena Dixon (@AthenaDDixon), the author of the essay collection The Incredible Shrinking Woman (Split Lip Press).

Had a great chat about day jobs and threading the work you want to do around that, how there’s no “writer’s life,” but rather just a “writer living.” That’s a direct quote from her Hippocamp talk this year.

Her essay collection delves into her identity as a Black woman, divorce, relationships, sex, the masks we where, and so on. Highly recommend.