“The times that I write best, the times that I’m able to write a lot are the times that I’ve got a fire under me. And that is what happens with a deadline. That is what happens when it’s 10 p.m. and you’ve written like, 150 words that day,” Claire says on the podcast.
Damon’s all over the place. He’s talkin’ TED, he’s coaching, he’s almost written thirty books, he’s the primary caretaker of his two young boys, all of that and he’s one of the most generous people I’ve ever met. I think you’ll agree.
This extra interview in your feed is part of a new partnership with The Atavist where I interview that month’s featured writer about that month’s story to provide readers and listeners some extra depth to the experience.
In this very first one with The Atavist, Scott talks about:
Developing sources as an investigative reporter
How COVID affected this story … right at the very end
Finding a new angle on something that was already covered
And that moment when a machete was brandished in Peru
I hope you dig this extra bit of goodness. If you’re new to The Creative Nonfiction Podcast, it’s the show where I speak to badass people about the art and craft of telling true stories. Subscribe wherever you podcast!
If you want to support the show, the audio magazine we produce and help keep the lights on at HQ, consider becoming a member at patreon.com/cnfpod.
We put out a great monthly newsletter with book recommendations, cool blogs and articles, podcast news, and an exclusive invite to a monthly CNFin’ Happy Hour. Once a month. No spam. Can’t beat it!
So excited to have the one and only Alexandra DiPalma back on the show to talk all things podcasting.
She leads the Podcast Workshop, a part of Akimbo Workshops, and in it you’ll learn what it means to find your voice and develop skills that will translate to other areas of your life and career.
If you follow this link ===> THIS ONE <=== you’ll get pretty slick discount. I’m not sure when it expires, but check it out.
Ashkan Soltani Stone and Natale Zappia (@natzappia) wrote a killer little book based on a killer documentary called Rez Metal: Inside the Navajo Nation Heavy Metal Scene (University of Nebraska Press).
Whitney Terrell is the author of The Good Lieutenant. He also is a journalist who covered the Iraq War. He teaches at the University of Missouri-Kansas City. He’s on Instagram and Twitter.
“Writing a book could be very tedious, but I’m writing to make myself laugh or cry. If I’m not crying or laughing, I’m so bored. When I’m telling a story, I’m laughing or crying. Most of the time, that’s what I’m doing it for. If I’m not thrilled by something, I can’t do it. It becomes tedious and I quit,” says Michael Leviton, author of the memoir To Be Honest (Abrams Press).
During my conversation with Mason Gravely (@alive_adventures on IG), I asked him what a good interviewer is like. I admire him as an interview so much, I had to know.
He said, “You know, it’s someone who listens. Someone who really is present. You can really tell when an interviewer is distracted, or they’re just kind of going off. They’re calling it in.”
Mason does incredible work for Athletic Brewing, the nations best and only (?) brewery only brewing non-alcoholic beer. Amazing stuff.
