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Episode 388: Agency, Empathy, and the Ethics of Writing True Crime with Kim H. Cross

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By Brendan O’Meara

Kim H. Cross — the H stands for hell raiser … that’s not true, I don’t know what the H stands for — is back on the podcast to talk about her new book In Light of All Darkness: Inside the Polly Klaas Kidnapping and the Search for AMerica’s Child. It’s published by Grand Central Publishing.

Kim does not identify as a true crime writer, nor is it a sub genre of journalism that she ever wants to do again, but, as Kim says, this story found her and she set out to write the book of record on this Polly Klaas kidnapping from the earlyl 1990s.

So in this episode we talk about how she navigated having a family member at the heart of the investigating (her father in law) as well as:

Now in Paperback: Andre Dubus III

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By Brendan O’Meara

As my book work intensifies, we lean on these paperback editions of the podcast! (Listeners are digging them, I think. One, they’re the greatest hits. Two, it keeps you from having to dig through the overwhelming backlog). This one with Andre Dubus III might be my favorite of the entire run of the podcast, no shade thrown to the others.

It’s just … he brought it. And it’s one of the a rare episodes of the show’s run when, after listening, I wanted to get up and write. Right away.

This originally aired as Ep. 54 in June of 2017.

Episode 387: Tom Donaghy

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By Brendan O’Meara

“Who Killed the Fudge King?“

Tom Donaghy, a playwright and screenwriter, needed to find out.

Harry Anglemeyer was a fixture of Ocean City with a fudge empire on the Jersey Shore, The Copper Kettle. He wanted to lift up and move forward the ocean-side city. He was openly queer in a time that wasn’t as accepting. In 1964, he was murdered and the case was never solved.

Enter Tom.

Now in Paperback: Jericho Brown

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By Brendan O’Meara

Hi, CNFers, nonfictionistas, verifiably true people, re-upping the brilliant Jericho Brown (@jerichobrown) for your listening pleasure.

As I said in the original intro, and as I re-say in this intro, this entire episode is like an hour-long pull quote. It’s so money, baby.

Since this episode originally aired on April 19, 2019, Jericho won the Pultizer Prize for his poetry collection The Tradition, which is what we talked about in this conversation.

Episode 386: Lana Hall

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By Brendan O’Meara

Friend,

Lana Hall (@curiouslana on … ugh … X) is here! What’s the occasion? She wrote a killer essay for Hazlitt called “We Are All Animals at Night” that riffs on her time working in Toronto’s massage parlor industry juxtaposed against her time at a corporate gig, a quote-unquote good job.

But it’s got levels, man, levels. What I took from it was the honor among people working the night, be it sex workers, cab drivers, or the person behind the counter at 7-Eleven. It’s a wonderful piece and Lana is a brilliant writer.

We talk about how she:

Now in Paperback: Mary Karr

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By Brendan O’Meara

It was bound to happen: re-runs.

But that’s fine! How many people go back through hundreds of conversations and find a gem? My guess is very little, so this is a great chance to showcase some older pods … now out in paperback (haha).

You know Mary Karr. She ushered in the memoir boom with The Liars’ Club and followed that up with Cherry and Lit. Her craft book The Art of Memoir is brilliant, as is her poetry in Tropic of Squalor.

This episode originally aired in 2018 with the publication of ToS, so I hope you’ll enjoy (or re-enjoy) this conversation with Mary Karr!

Episode 385: Robert Kolker

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By Brendan O’Meara

Let me list the accolades and accomplishments of Robert Kolker:

Best-selling author of Hidden Valley Road: Inside the Mind of an American Family and Lost Girls: An Unsolved American Mystery.
Lost Girls is now a Netflix film
Hidden Valley Road was recommended not only by Oprah, but also Barrack Obama
His features have appeared in The New York Times Magazine, New York Magazine, Wired, and Oprah Magazine, among others.

His latest is “Dead Reckoning” for The Atavist Magazine, and it chronicles the greatest peacetime nautical disaster in U.S. history. It deals with skepticism over technology, honor, fathers and sons, hubris, and many other juicy themes.

Episode 384: Nicholas Dighiera

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By Brendan O’Meara

What a joy to have Nicholas Dighiera on the show to talk about his flash essay “Happy Birthday” for Short-Reads.org.

It’s an 857-word, one-sentence essay, beginning to end. Nick’s thing is running toward the hurt and telling the truth.

You’re gonna dig it, friend.

I Hate Author Readings (And How to Fix Them)

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By Brendan O’Meara

Maybe it’s my ADHD, but when it comes to author readings, I can’t focus. I can’t stay engaged no matter how hard I try. There are any number of reasons why they suck. Let’s dispense with, perhaps, my own shortcomings as an audience member, someone with a pathological inability to not drift off or fall asleep while in an audience. But in my defense, few writers are skilled in performance. You’re a writer! You work in the quiet hours! You prefer the quiet! And now you’re being asked to turn it on? Whose idea was this, anyway?

But OK set aside how bad readings are for a moment. We must attend them because OK here’s the cynicism YOU WANT PEOPLE TO ATTEND YOURS and you’re not an asshole, are you? We work hard to not be assholes in this biz.

Episode 383: Pete Croatto

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By Brendan O’Meara

It’s always nice when you can have a guest back on the show. We have many repeat offenders here at CNF Pod HQ. Because a writing career is so damn fluid, and a podcast conversation is just a snapshot in time, having a writer back on the show is a chance to talk about that glacial evolution.

And so Pete Croatto (@petecroatto) is back after nearly three years (it’s his third trip to the show) following the publication of his wonderful book From Hang Time to Prime Time. It’s a book about the birth of the modern NBA. It’s a must have for the basketball fan in your life. Is there anything better than unwrapping a hard-cover book on a gift-receiving holiday?

Pete is in the in-between stages. He is/was conflicted about what writing his first meant. Did it mean he would be invited to write the next one? No. Would it be some career-defining apotheosis? Hell, no. Rather, the book merely exists on the continuum on his career as a freelance writer of great sports journalism, but also think pieces on the media, and stuff for trade magazines and copy editing. Gone are the days where you can solely freelance longform journalism and have enough money to … let’s just say live.

So this was a great conversation about that post-book (specifically post-first-book time) and what that means. We talk about the book or various pieces being keys to open doors for ourselves, but also people arriving behind us. The book as business card, and the frustratingly slow nature of gradual improvement and mastery.

I really think you’ll dig it.

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