It’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists about creating works of nonfiction, leaders in the world of narrative journalism, documentary film, essay, memoir and radio and try to deconstruct how these masters go about the work so that you can improve your own.
True Story is a 5,000-10,000-word stand-alone piece in chapbook or digital form. It’s pretty rad.
In this episode we talk about:
What makes the green-lit pieces pop
What the rejected pieces have in common
And also some of the goodies you can expect with a pledge.
I hope after listening to this you’ll head over to the Kickstarter campaign and pledge some hard-earned dough so they can keep doing the work they’re doing on True Story.
Full disclosure, I don’t get any kickbacks of any kind.
What a guy.
It would be nice if you shared the episode and even left a nice review over on iTunes to help validate the podcast so I can keep doing this thing. I’d hate for the business office to come down and slam the door shut on this enterprise. Keep the reviews coming so I can keep the doors open at CNFHQ.
“I think what gets to the heart of the story is the ‘why?'”
“You have to treat your freelance business like a business.”
“I would encourage anybody that calls themselves a freelancer to try calling themselves an independent writer.”
“It’s about being organized and creating a solid foundation.”
“It was important for every-day writers to show their stuff.”
“You don’t change things just to change things.”
What’s this? Two episodes in one week? F–k, yeah!
Support for this podcast is brought to you by Hippocamp 2017, a conference for creative nonfiction writers. It’s this weekend, as in September 8th through the 10th.
Hippocamp enters its third year with its main keynote speaker being, ahem, Tobias Wolfe. Hippocamp debuted with Lee Gutkind, then had Mary Karr as an encore. Now Wolfe? Srsly?
So here’s the deal, good ol’ Hippocamp sponsored the Creative Nonfiction Podcast again, but I didn’t run that snazzy new ad because this week’s bonus episode is with Hippocampus Magazine and Hippocamp founder, Donna Talarico, @DonnaTalarico on Twitter, give her a follow… now…
Maybe I should mention that this is the podcast where I speak with the world’s best artists about creating works of nonfiction, leaders from the world of journalism, essay, memoir, radio, and documentary film, and try to tease out their stories and tricks of the trade, so that you can apply those skills to your own work.
Donna brings such a great entrepreneurial sensibility to this episode so if you want to organize your independent nonfiction career, or start a magazine, or start a CONFERENCE, this is your episode, your time to let your freak flag fly.
I’m on my second cup of cold brew and I’m pretty fired up, so I’m just going to come out and ask that you kindly leave a review on iTunes, like this nice five-star gainer from HannahinLA, “Great interviews that provide useful nuggets and inspiration for writers and other creatives.”
If you leave one, maybe you, too, will get a similar shout out. The biggest endorsement the show can get is these reviews, but also sharing it amongst your friends who like to dabble in this kind of work.
“To be a great writer, you just have LOVE writing. You have to be passionate about it, so you’re going to do it a lot.”
“When I write a story, I want it to get as big an audience as possible.”
“I don’t have any problem whatsoever with being a shameless self promoter. I know a lot of writers who don’t like to do that.”
“I think some people who are super competitive can also get jealous of people who are more successful.”
“I love it when people who I like and respect and like to read, I love it when their stuff gets big.”
“If you hang around long enough, you’re gonna understand what the story is.”
“I feel good justifying my own survival by telling the stories of those who didn’t survive.”
It’s The Creative Nonfiction Podcast, the show where I speak with the world’s best artists—journalists, documentary filmmakers, essayists, memoirists, and radio producers—about creating works of nonfiction.
Have we got a good one for you today. Episode 64 with journalist Matt Tullis (@matttullis) on Twitter. His first book, Running With Ghosts: A Memoir of Surviving Childhood Cancer published by The Sager Group, tells the story of how Matt got slammed with a form of leukemia at age fifteen, and subsequently what he did what that survival as many of his friends, who had previously been in remission, started passing away as the cancer came back. A couple of Matt’s caretakers, people who spent hours, and weeks, and months ensuring his survival, also died of cancer leaving Matt to wonder why he was spared.
There were several times in this book that burned your host’s eyes, not gonna lie, but Matt honors his life and his friends by turning his reporter’s eye inward, and outward, telling the story of his life and his friends.
Matt is a professor at Fairfield Univeristy and host of Gangrey the Podcast. His work has appeared in SB Nation Longform among many other places.
You’re gonna dig this episode as we talk about what it takes to be a great writer, letting events unfold in the face of preconceived expectations, competition, jealousy, and self promotion.
Bronwynn Dean stopped by the podcast to talk about the power of performance and her work-in-progress about the world of marijuana. It’s titled Potted.
Her work has appeared in Pitkin Review and Soundings Review. She cites Hunter S. Thompson and Tom Wolfe as major influences and I think you’ll dig how she was able to be the only one of about forty writers to land an agent. What went right? What was wrong about the other 39? Good stuff.
Okay, friends, you know the drill: Please leave a nice review over at iTunes and sign up for my monthly newsletter where I give out my book recommendations. It’s short, to the point, no spam.
Share this with a friend and sit back and enjoy Bronwynn Dean.
The Voyagers is a gorgeous movie and a love letter of sorts to her then-fiance. Popova writes:
The Voyagers is a beautiful short film by video artist and filmmaker Penny Lane, made of remixed public domain footage — a living testament to the creative capacity of remix culture — using the story of the legendary interstellar journey and the Golden Record to tell a bigger, beautiful story about love and the gift of chance. Lane takes the Golden Record, “a Valentine dedicated to the tiny chance that in some distant time and place we might make contact,” and translates it into a Valentine to her own “fellow traveler,” all the while paying profound homage to [Carl] Sagan’s spirit and legacy.
In this episode we talk about that, but also her longer films Nuts! and Our Nixon, and also about raising the bar of her own ambitions and finding ways to make her work more visible. Anybody who may be hiding in obscurity will find this episode inspiring.